Category Archives: Animu

I love Hanasaku Iroha

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Sixteen years old: still a bud...nonetheless the four main characters in this show have mastered the use of meaningful stares off into the distance. A girl's adolescence isn't easy da mon!

Good to be back home in New York. Our tap water really is the best. I got back on Monday actually. I didn’t realise Penguin Drum wasn’t airing today. Next episode airs on 08/18. Why they air anime so late at night is still a mystery to me. I shouldn’t complain, since it’s early afternoon here when it’s late night anime time there.

Moving right along though, Hanasaku Iroha is great. I take back everything I may have said about not caring for the premise. After seeing the first episode or two there were a couple of things that put me off, constituting big hurdles to enjoyment of the show, but once the show overcame them, its brilliance became clear to me. I couldn’t get past what I saw to be a half-hearted setup where Ohana ends up at Kissui Inn because of her irresponsible mother running away from her debts. That seemed unrealistic to me. The first episode confession event and Ohana’s subsequent minimal reluctance to leave Ko behind were also a hard pill to swallow. I also hated her grandmother so much that I didn’t think I could stomach watching more of the show. All of these roadblocks to enjoyment of the show were intentionally set up, almost as straw men, although I don’t like to use a term with such a negative connotation, just so that the show could proceed to obliterate them in its characteristc growing pains style and claim the mushy remnants of the viewer’s heart as its well-earned battle trophy.

You're mine now!

Nonetheless, I did continue watching it. It’s rare that characters are developed so subtly and skillfully that I can hate someone at first as much as I hated Okami-san and, by now, grow to love her just as much as I loved Yuina from the start.

Say what you will about Ano Hana — it was fantastic and made me weep some high value tears — but I may have to revise my previous assertion that it was the best of last season. Hanasaku Iroha has more episodes to work with and not only can afford to take a more subtle pace, but it benefits from it by allowing the intricate, analytical explorations of each character that are its great strength. All of the characters are so likeable and earnest, even Takako. Ohana though is, of course, impossible to hate, even more so as a little girl.

Her isshokenmei work ethic and spunkiness are, perhaps at times, overwhelming, but that’s all right, since not overdoing things is, itself, just one of the many lessons she is learning on her journey. That said, Ohana isn’t even my favourite character. She’s nice in a slightly typified take-on-all-comers genki na shoujo type of a way and there’s nothing wrong with that. To me though, she’s a lot less interesting than Minko and Yuina. Despite not getting most of her accents, it’s that quirk of hers and her ambivalence about her future that make Yuina the most likeable character for me, I think. I loved the episode in which the class had a filed trip to the ryokan in which her would-be-boyfriend Yosuke works and, in the end, she helps him clean the bath, proving herself to be capable of working only to later reveal to him that, though she doesn’t know precisely what she wants to do in the future, it should be something she enjoys, rather than working in the ryokan. Ah~ they’re growing up!

I really want her massage chair. It looks really nice. Too bad The Sharper Image went out of business. Whenever I used to go to South Street Seaport I would stop by The Sharper Image shop there and try out the massage chairs.


Minko, meanwhile, is probably the most interesting. If Tooru were the protagonist we’d call her a tsundere and character development would stop there. But that’s not the focus of the story, so her personality is allowed to be unraveled in a way that’s not constrained by the typical character archetypes of harem shows with male protagonists. She has a number of really nice facial expressions. Of course, the fact that she’s played by Chiaki Omigawa doens’t hurt either.

My only remaining complaint is that I still get Jiromaru and Enishi confused. One of them should have purple hair or something so the viewer can tell them apart.

Finally, Nako might be my least favourite character. This isn’t because there’s anything particularly disagreeable about her; it’s merely that I find her the least interesting. I still enjoyed the episode about her wanting to change her outward personality to more closely resemble her inner self that she displays at home, but I still think she’s somewhat more limited in the depth of development we’ve seen with her. She’s a pretty standard character type: the shy, nurturing (she cares for her siblings), large chested, introverted, poor with men, self-conscious, soft-spoken beauty. There’s nothing really wrong with hers being a conventional character type; it’s a staple precisely because it makes for a likable character with good potential for popularity. Saying that she’s the last on my list of characters isn’t really a bad thing since I love all four of them; it’s just that I think I’m least enthralled by her story. I think that, if not Ohana, either Yuina or Minko are captivating enough to be the protagonist, whereas with Nako, I don’t think she would be enough to keep me watching if she were the protagonist. She’s extremely likable as the supportive friend though.

Other than the simply excellent storytelling and character development in this show, something in particular that I think stands out are the dreamy sequences. For example, in episode 10, the scenes in which Ohana was sick in bed with fever and kept having all sorts of crazy delusions were far out. It reminded me a bit of El Viaje Misterioso de Nuestro Jomer, my favourite episode of The Simpsons, except her visions actually made some sense, pertaining to work, Ko, and Jiromaru’s story.

The metaphor used in episode 18 of the sea and land was cute but very effective and unmistakably Nakoppoi, with the sea representing Nako’s home life and inner face, while the land represeents her outer face that she displays in society and at work. The sequences where she was a mermaid and all the other characters were friendly little sea creatures (even Mame-jii!) except for Okami-san who was somehow still smoking, despite the serious impediment of being underwater were quite fun, yet still meaningful.

Ohana’s imaginings are really interesting and dreamlike too, such as in episode 19 when, in preparation for the cultural festival, she pictures Ko in waitress garb.

There’s just the right amount of comedy in this show to prevent me from falling into despair, as I’m prone to do at the slightest provocation. Tomoe is a source of much of the lightheartedness that this show props itself up on, as are Jiromaru and his literary creations, but I think the funniest moments come from Takako.

Her silliness is enough to lighten the mood when it’s necessary, but never crosses into the territory of slapstick or anything that will completely distract the viewer from the heavier themes of a given episode.

I think you could call this show “heartful” and not sound like an idiot.

I really regret being quick to judge this show when it started airing. On the other hand, I’m glad I didn’t listen to myself back then and drop the show. I would have missed out on, though it sounds ridiculously clichéd to say this, a moving story of the adolescence of four young girls and their, uhm, trials and tribulations as they learn to live and love. Ah, well, I suppose that’s why I always dodge the question when people ask me why I like things; I spout nonsense like that which makes it sound like the work in question is trash. Be that as it may, it’s a show overflowing with love and warmth and valuable lessons about growing up and the valuable moments in life.

Bwahhh~ I feel myself growing alongside them!

It’s one of those shows that I really feel like I should buy on Blu Ray to appease that guy in my head shouting about my abysmal internal morality imbalance I’ve racked up over the years from watching fansubs. I doubt he’ll win though. I’d spring for R1 BDs at R1 prices, not R2 though unless I could get ’em at R1 prices, which is unlikely. Or should I even use DVD region shorthand when talking about BDs? the price discrepancy still exists so I guess they’re still useful designations, despite USA and Japan both being region A.

Mawaru Penguin Drum: The curry of fate!

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Looks yummy

Apparently Himari and I have one thing in common: we’re both allergic to milk. She’s so cute.

This outfit had the unfortunate side effect of reminding me of a cow-girl character in Toppara: Zashikiwarashi no Hanashi, by which I mean the bovine variety, not the Western cattle herder variety.

I like the part where the brothers break into Ringo’s room for good and noble reasons.

Ringo is still pretty scary though.

There are limits to how far the adage "The way to a man's heart is through his stomach" can be strained and still be valid


I like Ringo’s little fantasy scene at Tabuki’s doorstep.

Noooo! Don't eat the Penguin Drum!

Unfortunately she runs into his real girlfriend and the connection between her curry and her fate is made clear as her curry comes into direct conflict with the non-fatal curry Tabuki’s girlfriend made in an unmistakable attempt to ruin Ringo’s life and destroy her very much not imagined relationship with Tabuki.

SUBETE HA KEIKAKU DOORI

This episode made me very hungry. I just bought Fantasia on Blu Ray and watched some of it a few hours before watching this episode of Mawaru Penguin Drum. Perhaps for that reason I was specifically impressed by the mushrooom things in the house, which reminded me of the dancing amanitas in the movie, pictures of which I’m not brave enough to post and risk angering Disney.

There are lots of neat decorations like that in the show. That’s one of the reasons I like it so much. The environments aren’t bare and sterile like so many other programs in which the homes of the characters don’t look as though anybody really lives there.

Summer 2011: There’s a lot of surveillance going on in Mawaru Penguin Drum

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Once upon a time...

I’m glad that I’m still enjoying this show. Sometimes I’ll look forward to a show too much and it ends up being really devastating when it doesn’t live up to my high expectations that I groundlessly built up. Some shows have a spectacular first episode that grabs my attention immediately but then promptly loses my interest on the second episode. I’m also happy that this a 24-episode series, which I didn’t realise last week. The pantsu and oppai bits are a bit distracting though and frankly, something of a surprise. They’re not showbreaking though; just a bit out of character, perhaps.

The penguins sure do suffer a lot of abuse in this show. They should form a union or something; they’re working far too hard and in such dangerous conditions that they should be entitled to better compensation for their efforts. In this episode the theme is spying. The space penguin hat tells the brothers to get the Penguin Drum from this Ringo character, so all sorts of zany mishaps occur as they pursue her in secret. The penguins get lots of screentime in this episode to showcase their blunders, which I certainly enjoyed. There’s a funny scene in which Shouma is mistaken for a chikan and has to be saved by Kanba and his radiance.

Meanwhile, the penguins engage in various cute antics, including extensive elastic deformation and being put to work as Silly Putty.

But with all the silliness aside, it’s nice how the story had such an explicitly unifying theme to it; in order to get the Penguin Drum, the brothers are basically stalking Ringo, going so far as following her into an underwear shop. She in, turn, is stalking Tabuki. This is pointed out explicitly to the viewer through dialogue, but it’s still a satisfying revelation at the end of the episode. Kind of like an episode of Curb Your Enthusiasm in which all the little hints dropped throughout the episode come together to cause some extravagant culmination for Larry David where everything that has been building up comes crashing down from above all at once in the form of some crushing misfortune or injustice. It’s not quite as fulfilling as all that, since, unlike a sitcom, this show does have to have plot continuity, after all, so it’s not as though the whole deal can be resolved in a single episode, but the circularity of this episode did have a similar effect on me, nonetheless.

Hello? Operator? Get me the President of Television. I have a winning combination!

I liked seeing the penguins put to work. Penguin # 3 got to hang around the apartment though and generally be lazy. That wasn’t fair.

That Ringo girl sure is creepy though. I mean, a few loose screws or not, who in the world steps out on the ledge of a tall building just to photograph of a bird nest? Who hides in the space beneath a home to listen in on her unwitting crush?

I like more or less everything about this show and I’m fairly certain that, unless I get really, really distracted, I won’t drop it. I might stall eventually, as nearly always ends up happening to me, but I’ll probably watch the entire series with minimal delay between airtime and actually watching the episode. The only thing that bothered me about this episode is that it wasn’t until now that I realised that the penguins, though much cuter and obviously more likeable, nonetheless remind me of Beelzebub from Yondemasu yo, Azazel-san. You know, he’s that annoying fly that actually eats shit.

Summer 2011: Still enjoying Usagi Drop

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No, this isn't Rou Kyu Bu!

Now that the question of which shows are being simulcasted, which are unlicensed in U.S., and which are being oversubbed is more or less answered, I can enjoy these shows without worry because I now know that even the shows that are being simulcasted have groups working on them other than HorribleSubs. It does make me feel slightly guilty about downloading licensed shows, but meh, I’d even prefer to watch raws, pausing every few sentences to look words up in the dictionary rather than pay for legal anime that’s been professionally translated…if it comes down to that. In the meantime, I’ll enjoy this peculiar situation that’s been going on for the last year or more where few people seem to care if shows are licensed in R1, since it sure seems unlikely to last more than two to three years before some Kazaa-esque debacle goes down and some 12 years old boy gets sued for downloading Densetsu no Yuusha no Densetsu (I wonder if this sounds as stupid in Japanese as it does in English…).

番組自体と同じく、ふわふわで心地がいい

But Usagi Drop is still great. It doesn’t make me less of a man that the shows I enjoy most are primarily mushy, touchy feely shows where characters grow, learn, and forge strong bonds with friends or family and learn the value of the intangibles in life. Indeed, I’d go so far as to say that the fact that I watch shows targeted at little girls and women just shows how unshakably confident I am in my manliness, that it is not reduced an iota by biting at all the old tricks used to garner emotional investment from viewers is a testament to its might. It would be more correct to say that it’s actually increased by such willingness to easily succumb to more or less entirely visceral appeals for my sympathy.

I love how the viewer gets the feeling that Rin is the one acting as the parent, at times leading Daikichi both literally and figuratively, rather than the other way around. Simultaneously, we're shown just how much of a kid she really is, despite her hardiness and maturity for her age, when she becomes too embarrassed to be seen being carried on his shoulders in front of other children.

That’s not to say that there’s not good reason for the viewer to feel sympathy for Rin. Putting aside for a moment the fact that she’s completely adorable, the figure who has acted as her parent for most of her life is gone, she’s thrust into an unfamiliar environment in which it’s made quite obvious to her that she’s an undesired intruder, and, to top it off, Daikichi is not the most traditional of parental figures one can imagine. Lots of terrible, tragic things have happened to her so my urge to kidnap her and keep her here in my home so that I can hug her any time I want to is not entirely unreasonable, even without the cuteness.

Widdle win is sweepy...


Too cute...no comment necessary.


But all thought of the plot aside, she’s very cute. This is good. I like it. It could have been annoying, but the repetition of Rin waking Daikichi up, instead of the other way around, as we would expect to be the case with a responsible parent, was effective. When Daikichi reverses that pattern by waking her up at the end of this episode, the viewer is supposed to get this rising feeling in his or her chest, like “Awwww…ickle Daikichi’s growing up. Maybe things will be okay now”. That didn’t quite happen to me, but it worked well enough. It’s a gutsy move doing repeated scenes like that, since it could fail horribly and simply prove irritating and heavy-handed. This did feel a bit immoderate, but not so much that it felt unwatchably clichéd.

Awww; the phone is as big as her face!

The best part of the episode was while Daikichi was at work and Rin was at school and the scene kept switching between the two. The sense of sameness between Daikichi, working hard at his job, and Rin, working hard at nursery school and just being a kid in the face of all the horribleness that follows her about, is expressed without words, a good example of not laying it on too thick, as it were. At least I didn’t think it was too sickeningly blunt. It’s not too subtle though and you can’t really miss the big blinking sign that goes off and reads “Hey viewer! Look! They’re both growing!” but it’s still a reasonably reserved episode, maintaining the mellow pace that I found so attractive in the first one. It’s good to see Rin making friends, but then sad as their parents pick them up, one by one, leaving Rin alone eventually as she waits for her workaholic guardian.

I was often in Rin's situation in preschool, stuck spending time alone with teacher, waiting for someone to pick me up. Having a nice teacher helps.

Finally, I like the nocturnal enuresis thing. It’s not often that the topic is broached on TV. During the first episode I thought of the sleeping arrangements and said to myself, “Oh boy! There’s bound to be some urine jokes in this show”. Well not only was I right, but I didn’t even have to wait very long! A urine scene in the second episode! For Kiss x Sis we had to wait five whole episodes for this.

I'm OK with this.

This ranks up there with Mitsudomoe and Fight Ippatsu! Juuden-chan!! in terms of how prompt the onset of pee jokes is (episode 2 for all three shows).

Ah yes, no matter how old I get, pee never stops being funny.

Summer 2011: Usagi Drop

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I don’t know how many more shows I’ll be watching this season, but this one will probably be on the list. In a rare deviation from my norm, I actually knew the basic premise of the show before watching it, unlike my usual practice according to which I watch shows based on how eye-catching the promotional artwork is. For this reason and this reason only, I was not disappointed by the conspicuous absence of bunny rabbits.

As with all high class art, the show begins with a funeral. Things can only get more upbeat from here, right? I hope not actually. The slowish pace and low key atmosphere established by the first episode work really well. This jives well with how little dialogue there is. The protagonist’s interest in Rin is conveyed through meaningful glances and changes in music and subtle shit like that.

I'm sick of characters gazing off into the distance like this, head filled with complicated thoughts. For all we know, Rin could be watching two squirrels fighting right here rather than having some convoluted internal dialogue about her uncertain future.


There’s a lot of contemplating going on here and rustling of bushes and wind. The imagery changes to suit the mood. Prior to the intro everything is all flowery and springtimey and idyllic:

This bloomy vaseline on the lens thing stops as soon as the funeral begins. Then there’s some neat use of lighting and framing to make the viewer feel the same mushy way about Rin that Daikichi does. Despite what a downer the guy seems to be, Rin takes a shine to him and they do some wordless bonding.

I’ve got to watch the next episode to see how I feel about the show. It may become clichéd and uninteresting. It somehow reminded me of Koi Kaze. I’m not entirely sure why, but perhaps it’s the pacing and mellowness of the first episode; it certainly wasn’t because my lolicon senses were tingling. There’s no hint of that here at all and I don’t say that sarcastically. If there were, it’d just ruin everything the show has going for it.

To restate my complaint from the other day though, why couldn’t Rin be ugly? She’s already unwanted. It’s not too much of a leap to make her ugly and fat or something. There are lots of people who think eyepatch girls, pegleg girls and even dialysis girls are moe, so don’t underestimate the ability of the audience to love a character. They don’t all have to be so damned adorable in an obvious way.

Summer 2011: Mawaru Penguin Drum

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This is an interesting show. At the least, it’s quite beautiful.　I will certainly keep watching it. I still don’t know what it’s all about, but at least I get the penguin bit now.　It’s certainly good looking so far, with lots of bright, pretty colours and even some flowery iconography. Maybe that’s obligatory, I dunno.

I love how the place really looks lived-in

The viewer immediately notices that, in a way very similar to Utena, there are scenes in which all of the characters other than those in the main cast are drawn as simplified, anonymous figures, apparently close relations of the man on the men’s room door:

Not that I’m complaining, but I’d once like to see an anime in which the protagonist has a really ugly imouto who the viewer is supposed to love. That’d be a challenge for the viewer. I guess Kuragehime was a bit like that, though Tsukimi wasn’t anybody’s sister. Nonetheless she was supposed to be “ugly” or at least not “pretty” in a conventional way and still succeeded to be moe. Regardless, Himari is undeniably cute as a button:

There’s a little bit of a fairy tale vibe to the show. The three main characters are siblings, but the sister, who fulfills the Ill Girl trope, is a little bit princessy in that the doctors all said long ago that there’s nothing they can do for her and she has little time left to live, as so often seems to happen on TV. Every day is precious, or something like that, so the three value every day they have together. Anyway, that’s how they end up at the aquarium to see these fucking adorable penguins:

M-M-Moar cute penguins!

But oh noes! My favourite imouto dies!

I never saw this coming!

But it’s okay ‘cuz she has a special souvenir hat that revives her, albeit possessed by some spirit that says something or other about fate and the like. We’re warned that her life is prolonged only temporarily so we should be prepared to see this again:

So the cool part here is that once she’s revived using the power of this fate thing and the penguin hat, these penguins start helping out everywhere, finding the protagonist’s train pass, umbrella, killing roaches, sewing, and so forth.

So this is all pretty cool, so much so that I’d like some penguin helpers of my own, even if it means exceeding the 78 degree voluntary limit on air conditioning suggested by Mayor Bloomberg. The only problem is that only the three of them can see the penguins, despite how industrious and adorable they may be. What follows is a henshin scene for the ages. There’s no use taking screen captures of it (and besides, this page already probably takes 9001 minutes to load). There’s some great music in this scene too.


Is Himari being controlled by the hat? What is this about obtaining the Penguin Drum? Of course, the viewer is meant to be confused, but there is also the right amount of humour in here so that I’m genuinely eager to see the next episode. It’s also good that it’s nowhere near as experimental as it could have been. I love shows like Yojou-han Shinwa Taikei as much as the next guy and cannot really criticise it, but I can at least complain that it’s a lot of work to watch. The same is true for masterpieces like Ghost in the Shell; they require some effort on the part of the viewer to appreciate. While I’m not saying by any means that this was superficial, what I think I am saying is that it’s relatively easy to become immersed in the very first episode. It’s not so challenging in the beginning so as to be off-putting to viewers who aren’t interested in something that requires intent focus.

I suppose it’s required that I confirm that I didn’t miss this visual nod (or perhaps I’m imagining it):

No matter how many times you see it, pulling a sword out of somebody’s chest is really neat. I like this show and will continue to watch it. I will also continue to watch Yuru Yuri and Ikoku Meiro Croisee. I don’t know who’s cuter: Yune or Hinata

Summer 2011: Rou Kyuu Bu!

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I’m sure glad this season is over. It was boring except for AnoHana. Rou Kyuu Bu is the first new show of the summer season. Of course, I didn’t expect I would follow it on a weekly basis, but since I have a week off from school and I need a break from watching nothing but sad shows like my current favourite, Oniisama e, I figured I should watch it. It’s a lot cuter than I expected which means I now know that I’ll at least watch the next episode when it comes out and I’ll decide then if I want to drop it or not. Here are the tropes I counted in merely the first episode:

Maid café

Bloomers

Unexpected tensai girl

Tall girl with a complex about her height

Shower oppai grope scene

Meganekko

Make no mistake; this is probably a terrible show. But the cuteness of it all is so overwhelming that it makes up for how agonizingly horrible the show really ought to be. My favourite character at the moment is Hinata, the little pink-haired one:

Cute bunny rabbits and cute lolis...

...a winning combination!

The protagonist of the show is your typical high school kid. He’s strongarmed into coaching the elementary school basketball club, which he agrees to do for three days only. Of course, he’s going to get attached to them and see things through to the end, I presume. I haven’t read the manga, of course, but it looks like a typical sports anime with the pleasant twist of featuring a team of adorable lolis. That’s the only redeeming quality of this show. Of course, you could argue that, if they’re cute enough, that’s all that’s needed to make an enjoyable show. I might agree with that argument. To be sure, I’ll have to watch more episodes for research purposes.

What’s obvious though is that the show would be unwatchable without the cuteness factor. Just look at the tough members of the boy’s basketball team who plant the seeds of conflict by threatening the protagonist, telling him to quit his coaching position:

If they were the team the protagonist was sent to coach we’d have no show. I suppose that’s not much of an observation though.

Of course, the show I’m most looking forward to of the next season is Mawaru Penguin Drum, which first airs on July 7th. Hopefully some good group decides to do English subtitles. Until then I don’t know what I’m gonna do. Catch up on Hanasaku Iroha I guess?